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silent_riot wrote:nervewrecker, without the proper processing, you will be shooting yourself in the foot from the start. I don't think you have a head unit or processor with time alignment or proper crossovers, correct me if I am wrong?
My advice is to stick with a 2 way until you have the proper tools to play with a 3 way.
There are 2 ways in active competition with decent results.
evolution7tt wrote:nervewrecker wrote:I saw mention of a tweet near the mid in the kick, will it be wise to use a coaxial for the mid in that case?
Yup, if you can get a good quality coaxial, go for it.
nervewrecker wrote:I honestly dont think I have the expertise to do a kick panel install (yet) as I dont have the experience with all of the imaging & staging & there are some wires under the right kick I prefer not interfere with.
nervewrecker wrote:the glassed kicks adhered to the metal with an adhesive or you drilled holes btw?
TK! wrote:Not listed, nor tried:
Main tweet (metal dome) and mid in kick
Midbass in door
Secondary tweet (soft dome) in a-pillar and attenuated.
TK! wrote:Ref: Steve Palik, 2007. URL: http://www.teamaudionutz.com/tutorial/2 ... ehind_Them
silent_riot wrote:TK! wrote:Ref: Steve Palik, 2007. URL: http://www.teamaudionutz.com/tutorial/2 ... ehind_Them
Steven Head.
silent_riot wrote:And BTW tweets in kicks do not give a rainbow stage. Failure in tuning gives a rainbow stage.
TK! wrote:Best stage width:
Option 2
mid bass in the door
tweeter and mid in the kick
Cons: rainbow stage.
Higher stage:
Option1
mid bass in the door
tweeter in the A pillar
mid in the kick
Cons: less depth
Not listed, nor tried:
Main tweet (metal dome) and mid in kick
Midbass in door
Secondary tweet (soft dome) in a-pillar and attenuated.
Ref: Steven Head, 2007. URL: http://www.teamaudionutz.com/tutorial/2 ... ehind_Them
kurpal_v2 wrote:For me personally, with the 3'' free-air I felt the need to have a tweet, just for the finer sparkle.
It was crips but not crisp.
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