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i have always been curious how these amps do this power
and why the manufacturer's specs are "coherent" for only one of those amps and supposedly not the other 2
yes i know on the internet those specs are listed somewhere (300% less in the manual) im not saying your not telling the truth but just curious about them
the pcx model and the pc model what changes were made
i thought this was teh older model
maybe then u can explain how you are going to use time alignment in a gallery setup
noyztoyz wrote:jeff wrote:maybe then u can explain how you are going to use time alignment in a gallery setup
i dont see how this question arised, please explain
i dont know why, but i have a sneaking suspision we going to see a 12" midbass, 10" mid, and driver on each front door, a 10" and a driver on each rear door. A.K.A. the baddest 3 way component set ever, lol.
i am also curious as to what is going to be time alligned and why
southside connections wrote:got a dbx^^ with a condersor full range mic
works great so fari dont know why, but i have a sneaking suspision we going to see a 12" midbass, 10" mid, and driver on each front door, a 10" and a driver on each rear door. A.K.A. the baddest 3 way component set ever, lol.
nope, all midrange,midbass ect located in the cabin of the car, all doors are to remain stocki am also curious as to what is going to be time alligned and why
due to the fact that a car is not a perfect listening environment, and also the 10" midrange and the driver units are being placed at different points , they will not be placed equally and the idea is to get the music to sound as accurate as possible, so we now have a problem with certain frequencies reaching the listeners before others, creating large audible gaps
remember we want the listener to hear each particular driver without being able to tell which is playing, thus by using time alignment we can correct each driver's position vs the the listener's position
also, it's almost impossible to get a staging effect directly in front of the car due to the windscreen , so it is decided to do the midrange system is going to be stereo
in a gallery system where you are standing up 20 feet away, you are saying you are able to tell if the different speakers are in different positions?
southside connections wrote:well lets see-
ppi amps -$16500
monos- -$17000
fi 12's -$11600
all mid speakers-$17200
battries - $13000
processing/hu-$5100
sound deadening -$7000
alternators- $8000
wires - $8000(inclusive of fuse blocks and copper bars)
well so for thats- $103400
pimptacular wrote:and y not explain everything? the purpose of build logs ideally is to share ideas so other people can learn from your experiences and share your knowledge wrt car audio not show off (not saying you are)..as jeff mentioned its a technical thread
$16500.00 spent on close to 2000rms of mids amps?
what does a normal old school rf 800.2 go for? not close to $2k?
you could have gotten close to 8 of those for that price & that 800rms * 8 = 6400rms (3 times the power).
why did you choose these amps? how do the power consumption in these compare to the power consumption to the old school rockfords? isnt it more? when building such a large system wuth such a large budget i'd look for the amps with the lowest current draw.
southside connections wrote:in a gallery system where you are standing up 20 feet away, you are saying you are able to tell if the different speakers are in different positions?
if it's inside of a car, yes, but what people have to understand is the fact that different drivers play different fequency ranges, eg, the n850 will be playing at 900hz to 25khz and based on ear sensitivity you will more than likely pick up on the horn first before the midbass playing
now the human senstivity-
http://www.independentrecording.net/irn ... tivity.htm
you can easily see when one can pin point each particular driver
the idea is to make each particular driver's range flow smoothly into the other creating the "meshing" effect
one thing i've learnt over the last few years, if you can look at a horn and a midbass, and point out when the midbass tops out and the horn picks up, then you have a problem
however there are only a very few vehicles i can recall doing this-
disruptive audio 4 12
green civic
atomic daddy
casper's b14
rovin's single 15
and lastly, sound extreem's blak vigo with the mtx 10's
however ontop a hood facing the crowd on the other hand is a different story
it is very rare that you see winning competition cars place their drivers/midbass units in akward places, very very rare off axis
BUT
one can never stop learning.
with this in mind you kind of have the right idea but the theories and deductions need working on, the new guys do not know this or even new customers
with this in mind, you need to do some reading on phase, iid and itd and zero plane delay.
otherwise looks like a promising build im sure the whole of the ice including myself wants to hear it and maybe u can bring it to the next test and tune
sq or gallery, does not matter... music is music.
btw, would this vehicle be in the show on sunday?
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